Friday, September 16, 2011
'Poor Behavior' - An astounding affair of laughs
The Mark Taper Forum and Center Theatre Group presents Poor Behavior, a play about fidelity, relationships and modern manners. Written by Theresa Rebeck, this quarrelsome comedy offers a convoluted view of truth and behavioral studies. The setup begins with two city couples enjoying a weekend country-retreat. From there marital mixups evolve, trusts are broken and chaos ensues.
Filled with larger then life characters, the comedy is uncomfortable at times, yet startlingly funny. Although the characters do not seem believable in a natural sense, they certainly prove entertaining.
Poor Behavior begins with a questions: "What is goodness?" The answer is not an easy one. Two couples argue their way through the play, attacking their dialog with eloquent fervor. The cast of characters are Johanna Day (as Ella), Sharon Lawrence (as Maureen), Reg Rogers (as Ian), and Christopher Evan Welch (as Peter). Each couple presents a dysfunctional dynamic of their relationship. In the world of the play, it is only a matter of time before lies become reality.
Mark Taper Forum. Runs through Oct. 16, 2011. Running time: 2 HOURS, 20 MIN.
Labels:
Center Theatre Group,
Mark Taper Forum,
Poor Behavior,
review
Thursday, August 11, 2011
Never Give Up

Samuel Beckett wrote: “Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.” It is a motto I try to live by, although difficult at times. Rejection is a fearful thing, especially for artists whose livelihood is dependent on an intricately personal product.
I would like to think that all of my dreams are attainable. I just have to go after them.
Labels:
Kathryn Stockett,
my thoughts,
Samuel Beckett,
The Help
Tuesday, August 9, 2011
Hit Man Opens 8/12/11!
Hit Man opens this weekend as part of INTERIOR DESIGNS: Women Inventing Theatre at Write Act Repertory. Five of L.A.'s most talented female playwrights present 5 world premier plays. These entertaining one-acts run the gamut from comedy to drama and include short plays dealing with relationships, loss, sexual desire, murder and more.
With one dress rehearsal to go, I am confident that this will be an incredible night at the theatre. Feedback for Hit Man has been very positive, and I personally find the other 4 shows in the series intriguing, well-written and excellently cast.
Come join us this weekend through August 28th at Write Act Rep! 9 Performances Only!
With one dress rehearsal to go, I am confident that this will be an incredible night at the theatre. Feedback for Hit Man has been very positive, and I personally find the other 4 shows in the series intriguing, well-written and excellently cast.
Come join us this weekend through August 28th at Write Act Rep! 9 Performances Only!
Labels:
events,
Hit Man,
performance,
Write Act Repertory
Friday, July 22, 2011
Shakespeare's Rome in Garden Grove

Carl Reggiardo directs and stars as the title character in Shakespeare Orange County’s summer production of Julius Caesar. This well-rounded cast of players depicts the tragic assassination of Julius Caesar, civil war, and the political chaos of the aftermath.
Deeply rooted in the central action of the play is the struggle of Marcus Brutus played by David Denman. In the play, Brutus struggles between his friendship with Caesar, his patriotism and his own humanity.
Deman’s Brutus is strong and proud, with a melancholy humor weighing on his soul. While fundamentally a noble spirit, Brutus allows the distrusting Cassius (John Walcutt) to manipulate his thoughts until he is no long sure of the difference between right and wrong. Yet, both characters are likeable despite their flaws.
Michael Eric Strickland, as the ever loyal and noble Mark Antony, does not hit his full stride until mid-way through the play. However, once given the stakes of Caesar’s tragic murder his star lights up the stage. He becomes the character we all know and love.
Together the ensemble cast shows remarkable talent, connecting to each piece of the story communicating the story to their audience. This is the way Shakespeare should be performed. Shakespeare Orange County delivers yet another well deserved standing ovation from this blogger.
Celebrating its 20th season, Shakespeare Orange County will present “The Tragedy of Julius Caesar,” at 8:15 pm from July 7 -12, 2011 at The Festival Amphitheatre in Garden Grove. Tickets are $34 for adults and $32 for students and seniors or take advantage of “pay what you will” Thurs night! http://www.shakespeareoc.org
Tuesday, July 12, 2011
Hit Man Casting!
I am proud to announce my second project with Write Act Repertory! I have been cast as Shelly, the sexy blonde bimbo in the new origional short play Hit Man by local playwright Bonnie Hallman. Once again, I will be working with director Michael Eiden.
I just finished my first reading of the script, a dark fast-moving comedy about a hitman, an affair and a murder. The show opens August 12th as part of a 5 play series. Let the crime begin!
I just finished my first reading of the script, a dark fast-moving comedy about a hitman, an affair and a murder. The show opens August 12th as part of a 5 play series. Let the crime begin!
Saturday, July 9, 2011
King Lear, where has the fool gone?
Shakespeare by the Sea presents a free performance of King Lear! Tonight’s performance took place in Newport Beach at the Bonita Canyon Sports Park.
While King Lear should be the ultimate family drama, filled with explosive emotions and heartache, the only tragedy tonight was this lack luster production. This is the reason non-believers hate Shakespeare. The story is only clearly communicated in brief intervals of time. In short, this production is difficult to understand.
David Graham as King Lear did not connect to his character until the quarter final of the play. He became flamboyant as be began to fall into madness, rather than frail or childish. His only redeeming quality came on his reunion with Cordelia, a tender and intimate moment between father and daughter.
Colin Sprague was utterly forgettable as the Fool. It almost seemed as though the character was left out of the play altogether, as there was no meaningful relationship between him and his master. Our only reminder of his presence came at the end of the play with Lear declared, “And my poor fool is hang'd!”.
Katherine Curi-Prenovost seemed miscast as Regan. Her elegant and royal presence onstage over-shadowed Suzanne Dean as Goneril. Dean seemed to scream her way through the role, creating a high volume character without emotional depth or levels. Her counterpart and sister, Regan (Curi-Prenovost), showed great emotional range and understanding of her character.
Cylan Brown played a devious Edmund, fighting against the instinctual baseness of his character and created a regal prototype of abusive grace. Drew Shirley shined as Edgar. He was the only actor of the night to take strong risks and emotionally dive into his character’s circumstances. He is a true talent and appears a seasoned classical performer.
All-in-all, this on again – off again production of King Lear is a bit of a disappointment, especially in the back of the house where the physicality of the performance can get lost. While it is an honest attempt of bringing FREE Shakespeare to the masses, and many were in attendance, the overall feeling of the night left me discouraged.
I ask nothing more than to be told the story and I was left wanting.
King Lear or Much Ado About Nothing. Presented by Shakespeare by the Sea. Performances through August 13th, Wednesday – Sunday nights. Tickets are FREE. Check Website for dates, times and locations: http://www.shakespearebythesea.org.

While King Lear should be the ultimate family drama, filled with explosive emotions and heartache, the only tragedy tonight was this lack luster production. This is the reason non-believers hate Shakespeare. The story is only clearly communicated in brief intervals of time. In short, this production is difficult to understand.
David Graham as King Lear did not connect to his character until the quarter final of the play. He became flamboyant as be began to fall into madness, rather than frail or childish. His only redeeming quality came on his reunion with Cordelia, a tender and intimate moment between father and daughter.
Colin Sprague was utterly forgettable as the Fool. It almost seemed as though the character was left out of the play altogether, as there was no meaningful relationship between him and his master. Our only reminder of his presence came at the end of the play with Lear declared, “And my poor fool is hang'd!”.
Katherine Curi-Prenovost seemed miscast as Regan. Her elegant and royal presence onstage over-shadowed Suzanne Dean as Goneril. Dean seemed to scream her way through the role, creating a high volume character without emotional depth or levels. Her counterpart and sister, Regan (Curi-Prenovost), showed great emotional range and understanding of her character.
Cylan Brown played a devious Edmund, fighting against the instinctual baseness of his character and created a regal prototype of abusive grace. Drew Shirley shined as Edgar. He was the only actor of the night to take strong risks and emotionally dive into his character’s circumstances. He is a true talent and appears a seasoned classical performer.
All-in-all, this on again – off again production of King Lear is a bit of a disappointment, especially in the back of the house where the physicality of the performance can get lost. While it is an honest attempt of bringing FREE Shakespeare to the masses, and many were in attendance, the overall feeling of the night left me discouraged.
I ask nothing more than to be told the story and I was left wanting.
King Lear or Much Ado About Nothing. Presented by Shakespeare by the Sea. Performances through August 13th, Wednesday – Sunday nights. Tickets are FREE. Check Website for dates, times and locations: http://www.shakespearebythesea.org.
Monday, June 13, 2011
2011 Tony Awards
What was the most interesting thing about the 2011 Tony Awards ceremony? Perhaps Mark Rylance’s acceptance speech takes the cake. Rylance, who won for best leading actor in a play for his performance in Jerusalem, took to the microphone with a strange dialog about walking through walls. After an evening of heartfelt but long-winded acceptance speeches, Rylance was certainly refreshing albeit confusing. Unlike flying or astral projection, walking through walls is a totally earth-related craft, but a lot more interesting than pot-making or driftwood lamps," he said.
After much “google-ing” it seems this is not the first time Rylance gave an unconventional awards speech. In 2008 he spoke of carrying a fishing pole while accepting his award for Boeing-Boeing. Both time, Rylance was quoting works by Louis Jenkins, an obscure prose poet from Minnesota.
Now the REAL event of the evening was the win of War Horse for best play: A visually stunning piece that brings full scale horse puppets to the stage with life-like movements. With 5 tony wins, it should not be long before this exquisite play begins touring. Keep your fingers crossed!
The Winners:
Best Play
War Horse
Best Musical
The Book of Mormon
Best Book of a Musical
The Book of Mormon
Best Original Score
The Book of Mormon
Best Revival of a Play
The Normal Heart
Best Revival of a Musical
Anything Goes
Best Performance by an Actor in a Leading Role in a Play
Mark Rylance, Jerusalem
Best Performance by an Actress in a Leading Role in a Play
Frances McDormand, Good People
Best Performance by an Actor in a Leading Role in a Musical
Norbert Leo Butz, Catch Me If You Can
Best Performance by an Actress in a Leading Role in a Musical
Sutton Foster, Anything Goes
Best Performance by an Actor in a Featured Role in a Play
John Benjamin Hickey, The Normal Heart
Best Performance by an Actress in a Featured Role in a Play
Ellen Barkin, The Normal Heart
Best Performance by an Actor in a Featured Role in a Musical
John Larroquette, How to Succeed in Business Without Really Trying
Best Performance by an Actress in a Featured Role in a Musical
Nikki M. James, The Book of Mormon
Best Direction of a Play
Marianne Elliott and Tom Morris, War Horse
Best Direction of a Musical
Casey Nicholaw and Trey Parker, The Book of Mormon
Best Choreography
Kathleen Marshall, Anything Goes
Best Orchestrations
Larry Hochman & Stephen Oremus, The Book of Mormon
Best Scenic Design of a Play
Rae Smith, War Horse
Best Scenic Design of a Musical
Scott Pask, The Book of Mormon
Best Costume Design of a Play
Desmond Heeley, The Importance of Being Earnest
Best Costume Design of a Musical
Tim Chappel & Lizzy Gardiner, Priscilla Queen of the Desert
Also, check out the article "12 things you didn't know about the 2011 Tony Awards".
After much “google-ing” it seems this is not the first time Rylance gave an unconventional awards speech. In 2008 he spoke of carrying a fishing pole while accepting his award for Boeing-Boeing. Both time, Rylance was quoting works by Louis Jenkins, an obscure prose poet from Minnesota.
Now the REAL event of the evening was the win of War Horse for best play: A visually stunning piece that brings full scale horse puppets to the stage with life-like movements. With 5 tony wins, it should not be long before this exquisite play begins touring. Keep your fingers crossed!

Best Play
War Horse
Best Musical
The Book of Mormon
Best Book of a Musical
The Book of Mormon
Best Original Score
The Book of Mormon
Best Revival of a Play
The Normal Heart
Best Revival of a Musical
Anything Goes
Best Performance by an Actor in a Leading Role in a Play
Mark Rylance, Jerusalem
Best Performance by an Actress in a Leading Role in a Play
Frances McDormand, Good People
Best Performance by an Actor in a Leading Role in a Musical
Norbert Leo Butz, Catch Me If You Can
Best Performance by an Actress in a Leading Role in a Musical
Sutton Foster, Anything Goes
Best Performance by an Actor in a Featured Role in a Play
John Benjamin Hickey, The Normal Heart
Best Performance by an Actress in a Featured Role in a Play
Ellen Barkin, The Normal Heart
Best Performance by an Actor in a Featured Role in a Musical
John Larroquette, How to Succeed in Business Without Really Trying
Best Performance by an Actress in a Featured Role in a Musical
Nikki M. James, The Book of Mormon
Best Direction of a Play
Marianne Elliott and Tom Morris, War Horse
Best Direction of a Musical
Casey Nicholaw and Trey Parker, The Book of Mormon
Best Choreography
Kathleen Marshall, Anything Goes
Best Orchestrations
Larry Hochman & Stephen Oremus, The Book of Mormon
Best Scenic Design of a Play
Rae Smith, War Horse
Best Scenic Design of a Musical
Scott Pask, The Book of Mormon
Best Costume Design of a Play
Desmond Heeley, The Importance of Being Earnest
Best Costume Design of a Musical
Tim Chappel & Lizzy Gardiner, Priscilla Queen of the Desert
Also, check out the article "12 things you didn't know about the 2011 Tony Awards".
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